Taking the Shot: Photography, Volume 2
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Created in the realm of historical fiction, they portray the forsaken prophets of a lost war, adrift in the destruction of ruined cities, abandoned fields and remote backwoods. In creating these portrait collages I combine elements from historical images with my own photography. Each piece contains approximately one hundred layers which are digitally sized, blended and collaged into a single, large scale image.
On a daily basis these beautiful people around the world face, fear, abuse gender inequalities, bigotry and even murder. My work is an on going project to bring these injustices again the Trans world to an end. Educational thru images is such a powerful message that is heard worldwide. Fires are a regular occurrence, and are difficult to bring under control because of the lack of the right apparatus and training.
From the table of contents looks like a lot involves preparation skills in order to tell the wedding story. I never would have thought of that! He also discusses the when and how of hiring an assistant. I bet that would be more helpful than we can even imagine on a wedding shoot.
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The author says it is not an option unlike the first chapter :- , but is crucial to success. He discusses one instance in which not having an assistant could mean no photos for the unhappy couple! He posits the example where a photographer sprained her ankle and was completely incapacitated for the rest of that day. Valenzuela is right-what in the world do you do then? You need an assistant. The author uses several case studies in teaching us how to prepare the bride and groom. He places his assistant in front of the subject of the photo to give direction while he stands to the side taking the actual photograph.
Along the way he mentions a tip that I use in my family shots, too. I find I get the best pics that way. He spends much of an entire chapter on what kind of backgrounds to use, when and why. For example, do you use a monochromatic background or a pattern background?
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He next describes the four types of wedding party group photos, which I found entertaining and helpful. He does suggest that you always take the traditional photos first because, whether they know it or not, the bride and groom will want those. Then you can choose among the other three categories. His many photographic illustrations of the group photos I found very instructive. Well, a mouthful! But what he means is that the photographer needs to set the mood.
For example, if you want lots of positive energy, then you need to put that energy out there.
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He says this section is important and I agree. Not just for weddings, either. I much enjoyed his section on unaware portraits because, in a wedding I was photographer at, the best group shots I got were when people forgot I was shooting. And then we come to the final part of the wedding: the reception.
In conclusion, the second volume was well worth writing and certainly worth my reading.
click here The author covered a lot about preparation and strategies in this volume and together the two volumes are probably all you need to shoot a wedding in the best way possible. Alan verified owner March 23,